Page copy protected against web site content infringement by Copyscape Reel Reviews And Other Works

05 February 2010

When In Rome

A very light romantic comedy.

Beth is a career driven young woman with neither faith nor courage for love. In Rome for her younger sister’s wedding she’ll defy reason and challenge divinity to bring her true and lasting love. Alas such defiance will always bring challenges unexpected and unwanted... Beth now has five impossibly smitten, determined and devoted love interests. True love may be among the five, if only she can find the courage to see it.

Simply written and directed with easy performances throughout, this film might best be viewed at home.

C / PG

Starring: Kristen Bell; Josh Duhamel; Will Arnett; Jon Heder; and, Dax Shepard.
Featuring: Angelica Huston; Danny DeVito; Alexis Dziena; and, Kate Micucci.
With: Peggy Lipton; Luca Calvani; Keir O’Donnell; and, Bobby Moynihan.
Plus: Don Johnson
Writers: David Diamond and David Weissman
Director: Mark Steven Johnson

Reel Review by Josef

West Side Story

 A surprising treat from this very talented troupe of amateurs and professionals.

 In the summer of 1957, the streets of New York City are alive with bigotry and violence. The Jets (a gang of white teenagers) and The Sharks (a gang of Puerto Rican teenagers) fight for dominance in the neighborhood they’ve been forced to cohabit. Compelled by their love for one another, Tony and Maria strive to bring peace to their neighborhood. Can love survive under the shroud of hatred and death?

 This live-stage production is very well choreographed. The dancing and stunts achieved with a quality defying expectation. The orchestration too is outstanding! However, the direction and portrayals in this show are often uneven. And, the use of microphones did little to enhance the experience. Still, I would recommend attending this show and I look forward to seeing more of this troupe’s work.

C / PG2

Starring: Michael Hall; Samantha Lasch; Jim Maxwell; and, Kelly Ann Murray.
Featuring: Chip Attwood; Brian Maxwell; Katie Murphy; and, J. Simmons.
With: Brittany Cerra; Kapil Dass; Crystal Diaz; and, Chris Eklund.
Also: Aaron Grippo; Aimee Grymin; Emily Kuschner; and, Sadie Mueller.
Plus: Liz Miranda
Writer: Arthur Laurents
(with music by Leonard Bernstein)
(and lyrics by Stephen Sondheim)
Directors: John Murphy; Ron Bowks; Jillian Miller; Derek Baird; and, Michael Johnston
[from a concept by Jerome Robbins]

Reel Review by Josef

Almost Maine

Funny, sweet, romantic and a bit unusual.

One winter night in the ‘not-quite’ township of Almost Maine, several pairs of people, some strangers, most not, find themselves with new perspective, new hope and new love.

There’s nothing too dramatic about this play, just an unusual bit of humor and romance defying description. Four performers for twenty roles in eleven scenes. Wonderfully set {even the stage hands get into the act!}, brilliantly directed and beautifully performed, attending this show is a terrific way to spend a winter’s evening!

A+ / PG2

Starring: David Mason; Alexis McGuinness; Patrick Noonan; and, Regan Thompson.
Writer: John Cariani
Director: Skip Greer

Reel Reviews by Josef

25 December 2009

Sherlock Holmes

Intriguing And Energetic.

Nineteenth Century London, a game is afoot. Sherlock Holmes and his long-time partner, Dr. Watson, are on the verge of altering, if not ending, their association. But, personal matters are untended when their final case together is unexpectedly reopened, calling into question the reputations and integrity of Holmes and Watson. With the return of Irene Adler, the duo is thrust into a world of trouble, beset by adversaries of substance and shadow. Murder, assassination, corruption, revolution, espionage and theft confront the great detectives... and it may be too much to survive.

Challenging the known characterization of Sir Arthur Conan Doyle, this film is written with an eye toward action not unlike swashbucklers who chase Nazis and Mummies. But set some three or four decades before such adventures were ‘common’ and using a character so well known for intellectual rather than physical resolutions, some viewers may take exception to this piece of cinema. While the direction and set may seem a bit dull, the story and performances are certainly exciting.

B / PG
Starring: Robert Downey, Jr; Jude Law; and, Mark Strong
Featuring: Rachel McAdams and Eddie Marsan
With: Kelly Reilly
Writers: Michael Robert Johnson; Simon Kinberg; and, Tony Peckham
Director: Guy Ritchie
Reel Reviews by Josef

Avatar

   A Stunning, Remarkable, Overwhelming Achievement!

Across the universe, on a lush green alien world the interests of science and commerce collide. While scientists hope to explore and learn, a conglomerate is seeking to acquire a precious element. The business of that acquisition may have a diplomatic solution, offering the native, primitive, people education, medicine and other advancements in exchange for their cooperation. Should diplomacy fail, a corporate military is waiting... but life on Pandora has many deadly secrets and an army of it’s own!

Seen in IMAX 3D, this film is almost overpowering – visually. The story here is decently written, only slightly predictable. It is the direction, incorporating vast CGI with live action in such a manner one may forget nothing on Pandora is real. Even so, the performances seem a bit weak, becoming lost amongst the wondrous CGI characterizations and sets.

B / PG2

Starring: Sam Worthington; Zoe Saldana; Sigourney Weaver; Stephen Lang; and, Michelle Rodriguez
Featuring: Giovanni Ribisi; Joel David Moore; and, CCH Pounder
With: Wes Studi; Laz Alonso; and, Dileep Rao
Director and Writer: James Cameron


Reel Reviews by Josef

27 October 2009

On The Air 2009


Jewel “Lullaby” (2009): Sweet! Something different but well fit, poetic intimacy. New tunes, familiar tunes, all sung with that angelic voice. You may not fall asleep listening to it but you’ll certainly find it easier to settle down after a busy, stressed, even lonely, day. A

“Yankee Doodle Dandy” MPS (2002): Hoorah! This is a special edition motion picture soundtrack, from one of my Most Favorite [Historic] Films. The tracks are taken, re-engineered, directly from the film. In addition to the numbers heard in the film, featured on this album are out-takes, interviews, auditions, rehearsals and a few numbers which were recorded for but cut from the film. A

“Sweeney Todd [: The Demon Barber of Fleet Street]” MPS (2007): Excellent! This motion picture soundtrack created in me a brand new fondness for the film! I now count the film as one of my Most Favorite Films! In parts the tracks are a bit mis-engineered, leaving the vocals difficult to hear. Still the sheer madness of the subject matter and the quirky delight of the lyrics is a shining joy. A

Lucinda Williams “Sweet Old World” (1992): Wonderful! Brother Wease introduced me to this talented singer-songwriter with an on-air recommendation and free radio play. An old soul with a weathered voice and hard sound, this album is one of her earliest and it did not disappoint. I look forward to listening to more of this talent. B

Melissa Etheridge “Yes, I Am” (1993): Cool! One of her most revealing albums. This lady’s sound is wonderful, emoting pain and pleasure with such honesty, no ear could deny it. B

Joan Osborne “Little Wild One” (2008): Wild! This album is further proof of a talented musical artist’s perseverance. While the public at large may not consider her a musical star and few radio stations play her tunes, this lady has never disappointed a CD buyer or a venue. B

Sweeney Todd [: The Demon Barber of Fleet Street] Original Broadway Cast Soundtrack (1979): Included with this special edition CD is the entire libretto and a [formatted-to-size] complete playbill. These tracks seem to have been recorded live-on-stage; unfortunately, these recordings either weren’t re-engineered or were poorly re-engineered from the original source; so, this CD can be difficult to enjoy. Still, if you turn the volume up and lend a careful ear to the sound [or a quick eye to the libretto] you’ll get swept away by the tale. C

Lucinda Williams “Live At The Fillmore” (2005): Wow! The only thing that could have made this double-disc set better would be attending the show in person. A

Celtic Woman “A New Journey” (2006): Nice! The ladies come together in joyous harmony and musical celebration. With this album we say hello to two new woman and farewell to one other, changing the roster hasn’t changed the talent. Many of the tracks on this album are familiar but some are presented for the first time and all are sheer wonder. B

Reel Reviews by Josef
11 May 2009

09 October 2009

Keep Radio Free


I urge you to oppose the “Performance Rights Act”.

This legislation (H.R. 848/S. 379) would harm local free radio by imposing an unreasonable fee on local radio stations, undermining their ability to present news, information and music.

Free "over-the-air" radio has been and should continue to be a vital communication and entertainment staple in the United States. Many people rely on radio for up-to-the-minute local news and weather. In addition, free radio is a viable venue for political awareness and community outreach. Plus, in times of great emergency people tune first to their radio!

If the 'Performance Rights Act' is passed, We The People lose the integrity of one of our oldest cultural staples.

For generations, Americans have loved listening to their favorite radio station. Radio is more than music, it is a means by which ideas and cultures are shared without regard to geography or politics or price of admission. But now, some major record companies want local radio stations to pay for the music provided to listeners.

They are spending millions lobbying Congress to pass legislation that would establish a performance tax for music played over the radio. These bills, would devastate local radio stations across the country. Having to pay for the right to play music will reduce the availability of over-the-air music and inhibit station formats. More, the record companies would lose a valuable source of promotion – their shooting themselves in the foot!

If the performance tax is signed into law, it will put at risk an industry employing almost 106,000 people and generating more than $6 billion for communities through free air-time for Public Service Announcements, charitable contributions and disaster relief efforts.

As playing music would become a major business expense, stations will be forced to choose economic certainty over economic potential, established artists over emerging talent. As a result, radio listeners and advertisers will be short-changed!

If the federal government imposed a performance tax or “Listener’s Tax,” there would no fair way to determine the expense.

For many decades, local radio has helped the music of unknown artists reach our ears, launching the careers of everyone from Elvis and Johnny to U2 and Britney Spears. More importantly, radio has a critical role in times of danger and disaster, informing a concerned populace. And, radio is a valued source of community outreach, supporting neighborhoods, charities and issues of interest.

Certain record companies want all that to change and they want us, the listeners, to pay the bill! Local radio stations already compensate songwriters for the use of their music. Stations provide billions of dollars in free promotion. And, they pay a fee to stream their programming over the Internet. Still, these record companies want more!

Across the nation, radio stations are struggling to stay afloat in a worsening economic climate. Billions of dollars and hundreds of thousands of jobs are being threatened to sate the insatiable greed of certain record companies.

Free Radio is a coalition of people and organizations whose mission is to keep radio and other businesses that play recorded music strong for communities across the nation by opposing a performance tax.

The Recording Industry Association of America (RIAA) and certain record companies are behind a proposal to impose a performance tax. Such a tax would first be applied to radio stations but in a short-time it would also be applied to restaurants; retail stores; and, any other establishments or venues where recorded music is played!

They claim radio stations and other venues playing recorded music are getting a free ride but that is simply untrue! The recording industry has publicly stated it has benefitted from more than 70 years of free promotion over radio. And, they seem to be ignoring the compensatory fees already imposed upon radio stations. Much of the proposed revenue would not reach the recording artists and, because most (nearly 75%) of the record companies in the United States are foreign owned, that revenue won’t fuel domestic economy or generate tax revenue!

The record companies claim there is little need for radio in this digital age. They believe their product shouldn’t be provided via a medium consumers do not support. What they mean is, today’s music buyers aren’t purchasing CDs and they aren’t tuning in to the radio for the latest or newest tune. Today’s music enthusiast is scouring the Internet for product. Some of that assessment is quite correct; however, what the record companies aren’t revealing is they failed to prepare for the surge in digital media. They weren’t prepared for the demand of the downloading consumer, turning away from the inconvenient and inefficient CD.

And, they are not considering where today’s music buyer will first hear a complete tune – that’s right, on the radio baby! They hear it, they like it, they tag it, they buy it!

Radio stations across the country have been making their way toward digital, high definition and Internet broadcasting for several years. Station owners, program directors and musical artists have been urging record companies to move away from CDs and “approved release” of tracks for many years.

But, the record companies failed to heed that counsel; now, the ground is breaking under them – and they want us to pay for it!

Not everyone recording music and producing records is supporting the lobbying effort: Mark Wright, Senior Vice President of MCA Records, has said, “If a song’s not on the radio, it’ll never sell.” And, speaking with a reporter from WHDH-TV (March 2009), Bono said, “It’s worth remembering that U2, you know we broke in the United States through Boston, and through radio stations like BCN and stuff like that. We depend on radio.”

Local radio stations aren't trying to avoid paying a just tax. Despite what record companies claim, radio stations do pay to play music. Radio stations pay more than half a billion dollars annually to songwriters and composers for the right to play their music over-the-air. And, over-the-air radio is heard by nearly half a million listeners every day, who generate nearly three billion dollars in annual music sales!

Over-the-air radio in Iowa recently played an invaluable role during a crisis. Stations across the state remained on-the-air during massive flooding, providing news, support and comfort to devastated communities. Many of the people working at the station, including those on-air personalities, remained at work while their own homes [and even the very station from which they were working] was threatened by flood waters!

Artists who have made their name on local radio have been unfairly compensated by record companies. It is not the responsibility of radio stations or their listeners to rectify that injustice nor are they responsible for ensuring such injustice does not occur again. If Congress is truly interested in ensuring artists are being paid fairly, it should start with the artists’ employers – the record companies!

Radio stations across the country are united in their opposition to this legislation and they, like me, urge you to join us in that opposition.

Send a message to Congress, oppose "The Performance Rights Act".

Keep radio free!
SPEAKING FRANKLY by Lewis Franklin
adapted and augmented from material provided by the Free Radio Alliance
some content was compiled and sent to Members of Congress
13 May 2009

To Avert Catastrophe


Global warming is an environmental crisis the like of which has never been faced. Given the powerful forces actively working to delay action to overcome it, addressing the crisis will require bold leadership.

President Obama and the G8 have accepted two degrees Celsius as the limit of acceptable global warming but will they take the action needed to keep the planetary mean temperature below that threshold? It is widely acknowledged, the industrialized nations of the world must cut their emissions by forty percent before 2020. And, the United States should lead the way. Yet the Obama Administration, like Congress, is continuing to promote emission reductions far short of forty percent by 2020.

We cannot afford to put this off until tomorrow, this must be done today. A plan of action to keep the rise of global temperatures below two degrees Celsius must be formulated and put into effect. We must act today to stop global warming.

In his inaugural address, President Obama promised to "restore science to its rightful place" and make America a real global leader again. It’s time for him to live up to that promise.

Mr. President, we need you to be a leader, not simply a politician. You must show Congress and the industrialized nations of the world, the United States is ready to take strong and immediate action to avert a climatic catastrophe.

At the summit in Italy, the G8 announced their commitment to keeping global temperature rise below two degrees Celsius, 109 nations endorsed the goal before the announcement was made. However, without a long-term course of action and a formidable commitment to the lasting recovery of the planet, our goal will never be achieved. Politically safe legislation requiring meager reductions over many years will not achieve any actual reduction in the planetary mean temperature.

That kind of action is like paying only the minimum required balance!

And, we all know where that will lead.

President Obama your support of the ACES bill is ill considered. A four percent reduction of emissions is needed annually for the next ten years if a forty percent reduction is to be achieved before 2020. The ACES bill will achieve only a ten percent reduction over the next decade! Following that emission reduction plan, we have no hope of avoiding climatic catastrophe!

The ACES bill is grossly ineffective and grandly insulting.

Further, we need legislation to guarantee a perpetual limitation of emissions. Legislation with included allowable offsets has no meaningful effect. We are sending violators to their rooms but not taking away their toys!

More, we must provide the means and resources for research and development. Energy conversation and renewable power will free us from the foul effects of oil and gasoline. But, rather than new carbon forms or applications, I believe geo-thermal; safe fusion; and, solar are much more promising sources of energy.

The worst part of the ACES bill is the Presidential authority [under the Clean Air Act] to regulate greenhouse gas emissions! Authority which has been upheld by the Supreme Court!

Representative Lloyd Doggett (of Texas) took a courageous stand against the ACES bill, demonstrating real leadership and a commitment to ending global warming. I urge President Obama and all of Congress to follow Representative Doggett’s example.

We are counting on you to avert catastrophe.

Lewis
adapted and augmented from a Greenpeace petition
29 June 2009

08 October 2009

Raisins Not Raisans

I've been away ... have many works which will be posted [or re-posted] in the coming weeks. Went to the New York State Fair this summer... saw Jeff Dunham perform live – and in the rain! My former employer has negotiated a “complementary” contract with my health insurer... so, now I have to apply for Medicare! CRAP! Got a bogus traffic ticket several weeks ago... going to trial next week. RUBBISH!

I've made some changes:

TV PICKS -- "Castle" and "Hawthorne"

ON THE WEB -- "Classic Cartoons"; "Hanna-Barbera"; "Looney Tunes"; "Patriot Files"; "Scooby-Doo"; and, "Super Heroes"

BEST MOVIES HISTORIC -- "The Hindenburg (1975)"; "Three To Tango" (1999); and, "Juno" (2007)

TV PICKS PAST -- "Battlestar Galactica" (2004 - 2009); "ER" (1994 - 2009); and, "King Of The Hill" (1997 - 2008)

Oh, and I corrected that spelling error, in BEST TELEVISION COMMERCIALS -- "Raisins" not "Raisans"!
Frank 07 October 2009

08 May 2009

Star Trek

A Bold New Beginning For Gene Roddenberry’s Creation!

Jim Kirk was born in outer space, across the galaxy, in the wake of a stellar event with a heroic finale. On Earth he became a reckless, adventurous, dangerous, care-free, young man. Brilliant but without ambition, abandoning the legacy of his parents... until the day he met Captain Christopher Pike. Now, he will take-up a new challenge and find an ambition which few can match.

For twenty-five years a threat has loomed across the galaxy... waiting for Starfleet’s flagship and it’s famed captain and first officer! James Tiberius Kirk and Spock are young and inexperienced; yet, they face an enemy harboring for them much anger and contempt.

Taking incomplete threads from the short-lived series, “Star Trek: Enterprise”, this film has dared to ask: What if everything we know were to change? It’s an amazing concept, wonderfully made reality! This film is filled with bits reminiscent of Trek past but it’s shape and sustenance is fascinatingly fresh!

Masterfully written, performed, directed, produced and effected, this is a Must-See film... and it’s just the beginning!

A / PG2


Starring: Chris Pine; Zachary Quinto; Karl Urban; and, Zoe Saldana.
Featuring: Bruce Greenwood; Simon Pegg; John Cho; and, Anton Yelchin.
With: Leonard Nimoy; Eric Bana; Winona Ryder; and, Ben Cross.


Reel Review by Josef

Wolverine

Edgy. Sharp. Fast. Thrilling.

He’s much older than anyone would believe. His life before joining the mutant team created and trained by Professor X was as unpleasant as it was long. He began his life simply, sickly, but an act of brutality gave birth to the animal within him and he’s been running from it ever since. Beside his brother, even more an animal than himself, he’s traversed the world fighting and killing... until one day he left it all behind.

But, men such as he can’t escape the tragedies of life. All too soon, his past has come for him and he’ll strike a bargain with a devil to put down an animal...!

Borrowing from graphic novel masterpieces, “Origin” and “Weapon X”, plus thirty years of stories by such masters as Chris Claremont and Jim Lee, this film is brilliantly written and performed. It’s fast pace and hard edge was likely a challenge to direct, especially when faced with working it all into an established cinematic history [something which was remarkably well done in the end]. That challenge was remarkably well met here.

A / PG2

Starring: Hugh Jackman; Liev Schreiber; Danny Huston; Lynn Collins; and, Taylor Kitsch.
Featuring: Ryan Reynolds; will I am; Daniel Henney; and, Scott Adkins.
With: Dominic Monaghan; Tim Pocock; Kevin Durand; Julia Blake; and, Max Cullen.
Writers: David Benioff and Skip Woods.
Director: Gavin Hood

Reel Review by Josef Franklin

Evie's Waltz

A disturbing drama, provocatively presented.

It’s often easy to blame the parents when a child has gone bad... but who do you blame when you are the parents? What do you say? Who do you ask? How did my child do this terrible thing? What have I done? This is the dilemma now facing Clay and Gloria in the wake of an event which occurred at Evie’s school today.

Remarkably written and brilliantly performed this live-stage production is directed with an easy hand, allowing the audience to question all they see and hear... in the end one may feel an overwhelming sense of awe as they somberly leave the theater to go home and hug their children.

B / PG2


Starring: Magan Wiles; Annie Fitzpatrick; and, Skip Greer.
Writer: Carter W. Lewis
Director: Tim Ocel


Reel Review by Josef Franklin