Page copy protected against web site content infringement by Copyscape Reel Reviews And Other Works: Music
Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

11 November 2010

On The Air 2010

Miranda Cosgrove – “Sparks Fly” (2010):  Music is often over-engineered, drowning the youthful voice; however, tracks like “Kissin’ U”; “BAM”; “Hey You”; “There Will Be Tears”; “Adored” and “Beautiful Mess” make it clear this kid has talent. With a bit of experience she’ll grow into the emotional sincerity that is often missing in her voice. Grade – B

Melissa Etheridge – “Fearless Love” (2010):  Melissa Etheridge has the uncanny ability to convey such power and emotion with lyric, voice and guitar. On this album, the three are sometimes not in harmony. But, overall, tracks like “Company”; “Nervous”; “Only Love”; “To Be Loved”; and, “Gently We Row” carry her message to the listener most profoundly. Grade – A

Paul Simon - “Graceland” (2004):  Remastered to include three additional tracks, demos and unreleased versions of other included tracks, this re-released album is every bit as compelling and inspirational as it was in 1986. With every track, the listener is carried on a journey to enlightenment, carried by a wave of melody and harmony defying reason. The artist has found a profound course with which to share his visit to South African, bringing the history, struggle, faith and music of a neglected culture to the world. Grade – A+

Celtic Woman - “Songs From The Heart” (2010):  The last two albums have fallen a bit flat but I’m happy to proclaim with this album the beauty, harmony and tradition of Celtic Woman is restored! A wonder of music, voice and culture! Grade – A

Miley Cyrus - “Can’t Be Tamed” (2010):  Every track on this album is a clear, defiant, cry of independence, an artist’s statement of talent which won’t be denied! The first three tracks hit the listener like a thunder clap, demanding attention. Miley’s cover of “Every Rose Has It’s Thorn” should set a new definition for the tune, a solid mark for the writers whose words and music defy conventions of musical genre. Liner notes will confirm what every listener should realize, the artist brought her own mind and spirit to this work! Grade - A

Jewel - “Sweet And Wild” (2010):  That wonderfully powerful voice! An angel sharing her heart with the world. Every track, a harmony of voice and music that can’t be ignored! Country, pop, folk - no matter - every word, every sound, the mark of a talented artist commanding an audience! Grade - A

Jewel - “Sweet And Mild” (2010):  This is the acoustic “Sweet And Wild” - and it’s even better! This is Jewel’s strength. Her voice and a guitar holding an audience in rapture! Grade - A+

26 June 2010
By Frank Jaymes

27 October 2009

On The Air 2009


Jewel “Lullaby” (2009): Sweet! Something different but well fit, poetic intimacy. New tunes, familiar tunes, all sung with that angelic voice. You may not fall asleep listening to it but you’ll certainly find it easier to settle down after a busy, stressed, even lonely, day. A

“Yankee Doodle Dandy” MPS (2002): Hoorah! This is a special edition motion picture soundtrack, from one of my Most Favorite [Historic] Films. The tracks are taken, re-engineered, directly from the film. In addition to the numbers heard in the film, featured on this album are out-takes, interviews, auditions, rehearsals and a few numbers which were recorded for but cut from the film. A

“Sweeney Todd [: The Demon Barber of Fleet Street]” MPS (2007): Excellent! This motion picture soundtrack created in me a brand new fondness for the film! I now count the film as one of my Most Favorite Films! In parts the tracks are a bit mis-engineered, leaving the vocals difficult to hear. Still the sheer madness of the subject matter and the quirky delight of the lyrics is a shining joy. A

Lucinda Williams “Sweet Old World” (1992): Wonderful! Brother Wease introduced me to this talented singer-songwriter with an on-air recommendation and free radio play. An old soul with a weathered voice and hard sound, this album is one of her earliest and it did not disappoint. I look forward to listening to more of this talent. B

Melissa Etheridge “Yes, I Am” (1993): Cool! One of her most revealing albums. This lady’s sound is wonderful, emoting pain and pleasure with such honesty, no ear could deny it. B

Joan Osborne “Little Wild One” (2008): Wild! This album is further proof of a talented musical artist’s perseverance. While the public at large may not consider her a musical star and few radio stations play her tunes, this lady has never disappointed a CD buyer or a venue. B

Sweeney Todd [: The Demon Barber of Fleet Street] Original Broadway Cast Soundtrack (1979): Included with this special edition CD is the entire libretto and a [formatted-to-size] complete playbill. These tracks seem to have been recorded live-on-stage; unfortunately, these recordings either weren’t re-engineered or were poorly re-engineered from the original source; so, this CD can be difficult to enjoy. Still, if you turn the volume up and lend a careful ear to the sound [or a quick eye to the libretto] you’ll get swept away by the tale. C

Lucinda Williams “Live At The Fillmore” (2005): Wow! The only thing that could have made this double-disc set better would be attending the show in person. A

Celtic Woman “A New Journey” (2006): Nice! The ladies come together in joyous harmony and musical celebration. With this album we say hello to two new woman and farewell to one other, changing the roster hasn’t changed the talent. Many of the tracks on this album are familiar but some are presented for the first time and all are sheer wonder. B

Reel Reviews by Josef
11 May 2009

09 October 2009

Keep Radio Free


I urge you to oppose the “Performance Rights Act”.

This legislation (H.R. 848/S. 379) would harm local free radio by imposing an unreasonable fee on local radio stations, undermining their ability to present news, information and music.

Free "over-the-air" radio has been and should continue to be a vital communication and entertainment staple in the United States. Many people rely on radio for up-to-the-minute local news and weather. In addition, free radio is a viable venue for political awareness and community outreach. Plus, in times of great emergency people tune first to their radio!

If the 'Performance Rights Act' is passed, We The People lose the integrity of one of our oldest cultural staples.

For generations, Americans have loved listening to their favorite radio station. Radio is more than music, it is a means by which ideas and cultures are shared without regard to geography or politics or price of admission. But now, some major record companies want local radio stations to pay for the music provided to listeners.

They are spending millions lobbying Congress to pass legislation that would establish a performance tax for music played over the radio. These bills, would devastate local radio stations across the country. Having to pay for the right to play music will reduce the availability of over-the-air music and inhibit station formats. More, the record companies would lose a valuable source of promotion – their shooting themselves in the foot!

If the performance tax is signed into law, it will put at risk an industry employing almost 106,000 people and generating more than $6 billion for communities through free air-time for Public Service Announcements, charitable contributions and disaster relief efforts.

As playing music would become a major business expense, stations will be forced to choose economic certainty over economic potential, established artists over emerging talent. As a result, radio listeners and advertisers will be short-changed!

If the federal government imposed a performance tax or “Listener’s Tax,” there would no fair way to determine the expense.

For many decades, local radio has helped the music of unknown artists reach our ears, launching the careers of everyone from Elvis and Johnny to U2 and Britney Spears. More importantly, radio has a critical role in times of danger and disaster, informing a concerned populace. And, radio is a valued source of community outreach, supporting neighborhoods, charities and issues of interest.

Certain record companies want all that to change and they want us, the listeners, to pay the bill! Local radio stations already compensate songwriters for the use of their music. Stations provide billions of dollars in free promotion. And, they pay a fee to stream their programming over the Internet. Still, these record companies want more!

Across the nation, radio stations are struggling to stay afloat in a worsening economic climate. Billions of dollars and hundreds of thousands of jobs are being threatened to sate the insatiable greed of certain record companies.

Free Radio is a coalition of people and organizations whose mission is to keep radio and other businesses that play recorded music strong for communities across the nation by opposing a performance tax.

The Recording Industry Association of America (RIAA) and certain record companies are behind a proposal to impose a performance tax. Such a tax would first be applied to radio stations but in a short-time it would also be applied to restaurants; retail stores; and, any other establishments or venues where recorded music is played!

They claim radio stations and other venues playing recorded music are getting a free ride but that is simply untrue! The recording industry has publicly stated it has benefitted from more than 70 years of free promotion over radio. And, they seem to be ignoring the compensatory fees already imposed upon radio stations. Much of the proposed revenue would not reach the recording artists and, because most (nearly 75%) of the record companies in the United States are foreign owned, that revenue won’t fuel domestic economy or generate tax revenue!

The record companies claim there is little need for radio in this digital age. They believe their product shouldn’t be provided via a medium consumers do not support. What they mean is, today’s music buyers aren’t purchasing CDs and they aren’t tuning in to the radio for the latest or newest tune. Today’s music enthusiast is scouring the Internet for product. Some of that assessment is quite correct; however, what the record companies aren’t revealing is they failed to prepare for the surge in digital media. They weren’t prepared for the demand of the downloading consumer, turning away from the inconvenient and inefficient CD.

And, they are not considering where today’s music buyer will first hear a complete tune – that’s right, on the radio baby! They hear it, they like it, they tag it, they buy it!

Radio stations across the country have been making their way toward digital, high definition and Internet broadcasting for several years. Station owners, program directors and musical artists have been urging record companies to move away from CDs and “approved release” of tracks for many years.

But, the record companies failed to heed that counsel; now, the ground is breaking under them – and they want us to pay for it!

Not everyone recording music and producing records is supporting the lobbying effort: Mark Wright, Senior Vice President of MCA Records, has said, “If a song’s not on the radio, it’ll never sell.” And, speaking with a reporter from WHDH-TV (March 2009), Bono said, “It’s worth remembering that U2, you know we broke in the United States through Boston, and through radio stations like BCN and stuff like that. We depend on radio.”

Local radio stations aren't trying to avoid paying a just tax. Despite what record companies claim, radio stations do pay to play music. Radio stations pay more than half a billion dollars annually to songwriters and composers for the right to play their music over-the-air. And, over-the-air radio is heard by nearly half a million listeners every day, who generate nearly three billion dollars in annual music sales!

Over-the-air radio in Iowa recently played an invaluable role during a crisis. Stations across the state remained on-the-air during massive flooding, providing news, support and comfort to devastated communities. Many of the people working at the station, including those on-air personalities, remained at work while their own homes [and even the very station from which they were working] was threatened by flood waters!

Artists who have made their name on local radio have been unfairly compensated by record companies. It is not the responsibility of radio stations or their listeners to rectify that injustice nor are they responsible for ensuring such injustice does not occur again. If Congress is truly interested in ensuring artists are being paid fairly, it should start with the artists’ employers – the record companies!

Radio stations across the country are united in their opposition to this legislation and they, like me, urge you to join us in that opposition.

Send a message to Congress, oppose "The Performance Rights Act".

Keep radio free!
SPEAKING FRANKLY by Lewis Franklin
adapted and augmented from material provided by the Free Radio Alliance
some content was compiled and sent to Members of Congress
13 May 2009