Page copy protected against web site content infringement by Copyscape Reel Reviews And Other Works: 2009/02

07 February 2009

Car At Denny's

I shall relate to you an incident which occurred just after midnight, Sunday, 01 February 2009 (actual date and time).

After a late show at Regal Theater I drove to Denny’s Restaurant (2890 Ridge Road West) for a late dinner. I am a regular customer at this restaurant, having dinner there at least once a week for the past nine years. Entering the parking lot I drove toward the disabled parking spaces and backed into the first unoccupied space.

As I was parking my car I observed in my rear view mirror two uniformed individuals exiting the restaurant. Setting the gear to park, I observed the shorter individual take a position behind and to the passenger’s side of my car. He stood at a slight angle with his right hand on his weapon, prepared to draw and fire.

WFKL Radio began playing “Carnival” as I applied balm to my lips. My car was still running and I was alone, with my hands, head and face in full view. I now observed the taller man, approaching the car directly. His right hand was set on his weapon while his left hand shone a flashlight through each of my car windows in turn as he approached my door.

Lip balm in hand, I reached for and toggled the switch to lower the glass, opening the window. “Is there a problem?” I asked.

This man reflected the light off my rearview mirror to blind my eyes. “You don’t have a handicapped sticker,” he answered.

Perturbed, I replied, “Really?” And, with my open right hand directed his attention to my visor where my disabled parking permit is customarily and was presently stowed. “I Haven’t Got Out Of The Car Yet,” I continued. Then, re-toggling the switch, I closed the window.

As I listened to the completion of “Carnival” the two men retreated from me and my car then reentered the restaurant. When the song was completed, I turned off the engine, hung my permit from the rear view mirror and exited the vehicle.

On four legs, I made my way to the door and entered the restaurant. Inside, with a normal pace, I approached the two individuals who had approached my vehicle and falsely accused me of a parking violation.

“What’re your names,” I asked in a normal tone.

The taller of the two, averted my gaze but turned his right breast toward me. On it was a tag displaying the moniker “R. Huff”. His partner, belligerently, declared, “We don’t have to give you our names.”

“What you did was wrong,” I told them. “You had no right to approach me with your guns. I didn’t do anything wrong.” The belligerent man avoided my every attempt to view his name tag. The uniforms the men wore appeared to be nothing more than black jeans (or slacks) and a black shirt with a simple name tag on the right breast, some sort of rank insignia on the right shoulder and a logo of some kind. There was nothing bright or easily observed about the shirt. Still, I did notice each of the men also had some kind of white card on their left breast, facing backward and obscured by the flap of the shirt pocket. They each wore belts bearing a gun, a flashlight and [I presume from the shape at the back] handcuffs.

I moved away from the men and took a step toward the registers. The belligerent man stepped in front of me, less than a foot away, with his arms outstretched to his sides, a barrier erected. “You have to leave,” he told me.

“I’m going to speak to the manager.”

“No. You’re Leaving.”

“Is that right? We’ll see what the manager has to say.” I looked to my left for the attention of Denny’s staff but all were ignoring these gestapo. “I will report this to the manager,” I insisted, standing my ground.

“We don’t work for Denny’s,” boasted the belligerent man. That his employer is some security or protection service I have no doubt; however, that employer’s contract is with Denny’s. And, I’m certain the contract would include a provision for removing customers whose conduct is either violent or disorderly. But, I’m equally certain that contract doesn’t include harassing customers.

These armed men are supposed to keep the peace, not disturb it. They have no police authority. They have no right to deny me either entrance or seat. They have no right to refuse to provide their names, submit themselves to complaint. They had neither right nor cause to approach my vehicle in such a menacing manner.

“You have no right to do this,” I declared.

“Around here, We Make The Rules,” belligerent man growled. And, “If you don’t leave now we’ll call nine-one-one.”

Standing there I was disappointed by the failure of Denny’s employees to give this gestapo action any attention. More, I realized I was becoming angry. I don’t do well with angry; so, I turned, saying, “I will report you to your boss,” and approached the exit.

Belligerent man, following only a pace behind, bellowed, “I’m the boss, now get out.”

Outside the restaurant, as I neared the curb, belligerent man, stood at the opened door and, with a change of tone, had the audacity to excuse his behavior, “A cop was killed tonight and we’re not taking any chances.”

I stopped, set myself, turned on my heel, and stood on two legs. Sternly, I replied, “I Did Not Kill That Cop. And, I’ll tell you something else, That Cop Wasn’t Killed By A Guy Parking His Car At Denny’s.”

Speaking Frankly by Lewis

The Reader

Unusually romantic. Compelling and brilliant.

It was a turbulent time in Germany, in the years soon after the end of the second World War, when a teenaged boy met a much older woman. Their affair was mutually loving and gratifying, born, bred and secreted in literature. Years later the boy is now a man recollecting his first love, how it was lost, and all the regret and tragedy which followed.

Brilliantly written and directed, this film is alive with remarkably outstanding performances!

A / PG2

Starring: Kate Winslet; Ralph Fiennes; and, David Kross
Featuring: Bruno Ganz; Hannah Herzeprung; Vijnessa Ferkic; and, Matthias Habich
With: Susanne Lothar; Karoline Herfurth; Alexandra Maria Lara; Volker Bruch
Writer: David Hare [from the book by Bernhard Schlink]
Director: Stephen Daidry

Reel Review by Josef

Revolutionary Road

Morose and forlorn – but outstanding nonetheless!

Frank and April once dreamed of a life singularly free, unique and pleasurable. Still, their life course led them inevitable to a little house in the suburb, raising their children... and pretending to be living happily-ever-after. Now, all their pretense is threatening to crush them. Conformity has robbed them of their once brilliant creativity, stolen their freedom and killed their spirit. But, there is hope, an opportunity to restore all they’ve lost – if only they can get to Paris before the rules of society make yet more demands.

Weakly written and unevenly directed, this film’s strength is in it’s brilliant performances!

B / PG2


Starring: Kate Winslet; Leonardo DiCaprio; and, Kathy Bates
Featuring: Michael Shannon; Kathryn Hahn; David Harbour; and, Jay O. Sanders
With: Richard Easton; Dylan Baker; Zoe Kazan; and, Max Casella
Writer: Justin Haythe [from the book by Richard Yates]


Reel Review by Josef

Taken

Nothing here we haven’t seen before now.

Bryan Mills is a retired covert operative “with a particular set of skills”. Traveling to Paris after his daughter is abducted, he’ll put those skills to use. Anyone and anything between him and her will be destroyed.

Weakly written with typical direction and performances.

D / R







Starring: Liam Neeson
Featuring: Maggie Grace; Famke Janssen; Leland Orser; and, Olivier Rebourdin
With: Jon Gries; Holly Valance; Katie Cassidy; and, Xander Berkeley
Writers: Luc Besson and Robert Mark Kamen
Director: Pierre Morel

Reel Reviews by Josef

House In Hydesville

Wonderfully spooky and mysterious in the first act – woefully less in the second!

In the winter of 1848 a poor family moved from the city (Rochester NY) to Hydesville, some thirty miles to the southeast. The family moved into a small rented cottage, locally known as [because some manner of fatal tragedy had occurred at] “the spook house”. Not long after settling into their new home, the family is plagued by unearthly visitations.

Soon, this haunting became a national event. The family’s new found fame afforded them the opportunity to not only return to the city but tour the nation – and abroad. Surviving Congressional investigation, spearheaded by men and woman who believed the family’s two youngest had “spiritual” power, The National Spiritualist Association of Churches was founded.

But, was there more... what were those strange noises... could it have been a great hoax?

Remarkably well performed this play seemed incomplete and unevenly directed.

D / PG2

Starring: Lauren Orkus; Annie Purcell; and, Lanie MacEwan
Featuring: Kristin Griffith; Michael Rudko; Rachel Rusch; and, Garrett Neergard
Writer: Dan O’Brien
Director: Skip Greer

Reel Reviews by Josef